Please consider that Bob Dylan is  the most highly revered celebrity.

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The most paramount story in the history of Rock and Roll that your mainstream news sources never reported to you and a paramount signature of what has become of Judicial integrity

Bob Dylan fooled the world for decades claiming to have written many of the melodies to his hit songs when in fact most of the melodies were from preexisting songs that he did not write, including Blowin In The Wind. 

Bob Dylan's Life Work Being Scrutinized   Within English speaking countries the word culture has long been synonymous with the name Bob Dylan.   There are many interpretations of the definition of the word culture. One definition describes culture as "the arts and other manifestations of human intellectual achievement regarded collectively."   When referencing this definition with regard to the publics perception of Bob Dylan, we learn that Bob Dylan is the most revered celebrity on the planet by the intellectual community.

Dylan is the most quoted and chronicled celebrity of our time. It is that chronicling that establishes him as the most revered.   Hailed as a prophet by the mainstream media and praised by the Beatles as being an idol Dylan secures the top spot in the genre of respect.   No other celebrity has been afforded the amount of adoration. College professors, actors, playwrights, editors, critics, reporters, producers and columnist all hail Bob Dylan as the pinnacle of intellectualism.  

When examining the reasons Dylan is so revered one must consider his position. Being a songwriter positions Dylan as a creator of original thought.   It is this position that affords Dylan the great mantel of respect.   Throughout Dylan's fifty year cultivation of his mysterious subliminal persona there have been many secrets. Some of these secrets were and still are covered up by the mainstream media. One of the most damning secret is that Bob Dylan does not write music.

While being interviewed by Robert Hilburn of the L.A. Times Dylan stated:   “Well you have to understand that I’m not a melodist. My songs are either based on old Protestant hymns or Carter Family songs. What happens is, I’LL take a song and simply start playing it in my head. That’s the way I meditate.” “I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records. ‘The Times They Are A-Changing’ is probably from an old Scottish folk Song.” "I'll be playing Bob Nolan's 'Tumbling Tumbleweeds,' for instance, in my head constantly, while I'm driving a car or talking to a person or sitting around or whatever. People will think they are talking to me and I'm talking back, but I'm not. I'm listening to the song in my head. At a certain point, some of the words will change and I'll start writing a song.".......Bob Dylan  

At first glance it appears that Dylan is being forthright by appearing to be honest about his song writing process which is actually a major form of plagiarism.   A second glance tells us that the date of the interview was Aug. 4, 2004.   After a study of Bob Dylan's melodies it was learned that a great percentage of Dylan's melodies were actually from preexisting melodies in which no credit had been given to the original author of the melody. We know this by reviewing the actual label on the record that states written by Bob Dylan.   For example it is uncontested common knowledge now that the melody line to "Like A Rolling Stone" was actually the melody line to an old anti slavery song titled "No More Auction Block". Dylan simply discarded the words to the old song and replaced them with his own words. The label to the record states that the song was written by Bob Dylan.

There is no mention of the original author anywhere on the label or the album covers liner notes.   Dylan would have gotten away with this nefariousness had it not been for the internet. When the internet hit people started scrutinizing the origins of his songs. Feeling betrayed his fans started posting the similarities one by one until an avalanche of damning evidence was common knowledge.

After forty five years of profiting from royalties on stolen melodies it was this phenomena that persuaded Dylan to come out and admit the truth. After careful crafting a statement he called for an interview and released his statement that he is not a melodist.

"Eleven Years"

Bob Dylan's Stealing of James Damiano's Songs

 

 

Rolling Stone magazine actually published an article "Dylan's Greatest Thefts"   For decades Dylan simply credited himself on the entire song and mislead the public to believe that he had written the entire song including the music which he had not written. In some instances Dylan stole music and lyrics verbatim.   For decades Dylan's song writing process was a nice big fat cash cow bringing in an enormous amount of money.

All in all he had been accused of plagiarism in more than two hundred incidences.   When Dylan's music plagiarism issue started getting a substantial amount of publicity he released a series of paintings in which he blatantly plagiarized another authors work as a diversion to the plagiarism issue. The painting plagiarism issue would fill the Google searches. He apparently thought it would look better to his fans to be accused of plagiarizing paintings instead of songs.  

Rolling Stone magazine stated:   The paintings in Bob Dylan‘s “The Asia Series,” which are currently on display at the Gagosian Gallery in Manhattan, have come under fire for their resemblance to widely available pre-existing photographs. The series of paintings, which are said to part of a “visual journal” made by the singer during his travels through Japan, China, Vietnam and Korea, have been compared to famous photos by well-known photographers such as Henri Cartier-Bresson and Léon Busy.   “The most striking thing is that Dylan has not merely used a photograph to inspire a painting: he has taken the photographer’s shot composition and copied it exactly,” wrote Dylan critic Michael Gray in a post on his blog, Bob Dylan Encyclopedia. “He’s replicated everything as closely as possible. That may be a (very self-enriching) game he’s playing with his followers, but it’s not a very imaginative approach to painting. Bob Dylan Refuses to Return Plaintiff James Damiano’s Songs That Were Produced During The Discovery Phase of Damiano’s Half a Billion Dollar Federal Plagiarism law suit with Dylan  

On June 16th 2009 the following letter was sent to Bob Dylan’s Attorney Orin Snyder written by James Damiano’s Attorney in the Bob Dylan Damiano Plagiarism suit “Robert Church” regarding boxes of James Damiano’s songs produced to Bob Dylan during discovery   There were approximately fifteen to twenty five boxes filled with anywhere from 200 to 400 finished and unfinished songs in each box (thirty five years of writing) that were never returned  

Dear Mr. Snyder:   I have one other matter. Mr. Damiano informs me that Steven Kramer (James Damiano’s lead attorney) had several boxes of songs delivered to Parcher & Hayes during the discovery phase of his case against Dylan. Mr. Kramer never made copies of the documents, since I am presuming he felt pressed to comply with an overdue discovery request. Mr. Damiano informs me that he has never had all the original songs returned to his possession, even though the case is over. If you don’t mind, please explain what you can recall about Mr. Damiano’s song production. Do you still have songs unaccounted for? Can they be returned?  

Sincerely Robert Church  

Mr. Snyder has never replied 

 

Trailer of "Eleven Years"

Bob Dylan's Stealing of James Damiano's Songs

 

 

 

In a last nail in the coffin scenario James Damiano's movie "Eleven Years" draws the straw that breaks the camel's back, rivets Bob Dylan to his secret past of plagiarism and rewrites musical history"......Virtue Films

 

 

 

 About something else
I might have lied
Something personal
I might deny
Another time
I might have tried
About something else
I might have lied
I have faith
I can do without
Be the fool
Find cause to doubt
If I didn't believe
I wouldn't try
To live the truth
I'd live a lie

 

All lyrics contained on this website are written by James Damiano

All Rights Reserved

 

Eleven Years "Bob Dylan's Stealing of James Damiano's Songs Now on DVD

 

Narrated by Christine Boutsikaris

 

 

Required Reading for debating "Eleven Years" Please know your subject matter before scheduling a debate, You can read the case at the link below.

https://docs.google.com/document/d/1dVRjrpcsDfXwp-iRT4Pfvr34GaXhPXIkr7Vmp1s-Jc8/edit 

 

 

DYLAN'S FREEWHEELIN ALBUM WAS REVIEWED BY Janet Maslin OF THE NEW YORK TIMES IN THE 60'S Ms. Maslin CALLED DYLAN A PLAGIARIST
"In barely over a year, a young plagiarist had been reborn as a songwriter of substance, and his first album of fully realized original material got the 1960s off their musical starting block" 

 

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James Damiano

 

Tell me you never have had to have lived solely by faith alone

 

From Cardozo Law Journal Scholarly article by Julie Levine

 

 

Additionally, ruling that a qualified reporter’s privilege existed regarding an interview Dylan gave where he claimed he had writer’s block demonstrates the willingness of courts to protect the big name musician instead of the original composer, thereby endorsing a minor form of plagiarism.

However, protecting Bob Dylan in this one instance may differ in a case where the musician is not well known or does not have a reputation of borrowing from other musicians since the beginning of his career. Indeed, Bob Dylan disclaiming he has writer’s block can give rise to an inference for a reasonable jury to believe that it is more likely that he copied Damiano’s song if the jury heard that he had writer’s block, as compared to the jury not hearing that he had writer’s block.

Therefore, by deeming the requested evidence in the motion to compel irrelevant, it is not clear whether or not Bob Dylan did in fact plagiarize James Damiano’s song or was merely influenced by his music.

Hence, if Damiano’s musicologist’s theory had been presented to the court and was believed as true, it is very possible that Bob Dylan plagiarized James Damiano’s song.

On the other hand, if a contrary theory was presented, one that does not involve the Schenker analysis, it is possible that Bob Dylan was only influenced by Damiano’s song and used that influence to write Dignity, not to copy Steel Guitars as his own.

Nevertheless, it is still unclear whether the court endorsed Bob Dylan’s potential plagiarism because of whom he was or if the court was willing to turn a blind eye to the alleged plagiarism.

This court’s behavior further demonstrates how a court tolerating the use of another’s song may give an incentive to plagiarize. If a court is willing to dismiss a motion to compel discovery that could prove plagiarism, a court may very well do the same for another musician, even if he or she is not as well known as Bob Dylan.

 

Someday Maybe
You'll be able to tell
The greatest story
Say the greatest line
Give the greatest performance
Find the greatest find

 

  James Damiano

All Rights Reserved

 

 

Cardozo Law Review Article by Julie Levine "Lo and Behold" Plagiarism's of Bob Dylan

 

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732-948-5484
Or
Virtuefilmsltd@gmail.com

 

BOB DYLAN ADMITS TO PLAGIARISM BY DEFINITION

What bob dylan did and even admitted to in a April 04, 2004 interview with Robert Hilburn of the L.A. Times was to simply change the words to existing melodies then credited his name to the entire song. Dylan even admitted that he wrote 'Blowin' in the Wind' in 10 minutes by simply changing the words to the old spirtual song 'No More Auction Block"
The movie "Eleven Years" cites by comparison Dylan's complicity in these blatant thefts. The viewer will be stunned shocked and even appalled by how long Dylan was able to execute this devious process not to mention the stunning and revealing similarities of the songs.
In an article written by Alexander T. Deley titled To Catch a Master Thief Mr. Deley writes; Dylan is also no stranger to controversy regarding his work. An 11-year, still-unresolved lawsuit filed against him by songwriter James Damiano is particularly telling. Damiano alleges that Dylan, quite ironically given the title, plagiarized the song “Dignity” from Damiano. Damiano had repeatedly met Dylan and submitted songs to Dylan’s parent label CBS. This is especially telling as “Dignity” was Dylan’s only ‘hit’ record of the 1990s and seems quite different from much of Dylan’s earlier work or other work that he was producing during that period.
In an article titled "Folk Lies" Jonny Whiteside wrote: Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”‘s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza–Love & Theft plagiarism charges (Love & Theft?
Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.

 

The following music analysis was constructed by Dr. Greene who Graduated magna cum laude from Harvard Dr Greene stated that both Bob Dylan's Song "Dignity" and James Damiano's Song "Steel Guitars" contained the "excact melodic arc"

 

 

 

 

Might be a man's ego

Might be his pride

Maybe his biggest mistake

Maybe his biggest lie

Might be dying to live

Maybe living to die

Orange sun set up

Over the mountain

Against the pale blue sky

 

 James Damiano

All Rights Reserved

 

 

 

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Steel wheels screeches
Friction causes smoke
Filthy subway car
Billboard selling coke
One more run through the tunnel
One more run through the park
Twenty two and a half more blocks to go
Till the daylight turns to dark

 

For those of you who know Dignity" This the original version of Dignity recorded by James Damiano, Big Danny Gallagher and Mario Phillipps was recorded in 1986

 

Danny was a very close friend to Bruce Springsteen

 

 

 

 

 

 

Bob Dylan

 


Read Eleven Years
Bob Dylan's Stealing of James Damiano's  Songs @ link below

 


I was sitting in a downtown
Village coffeehouse
Listening to the Artist
Strummin his strings
Just wandering somewhere In a daze of thoughts
Among a million other things
He took a break
Put down the guitar
Came down off the stage
Walked over to my table
Sat down to talk
Said hello through the haze
Lost days and forgotten years
Washed away from tears
Spoke just ten words
And I knew him well
And everyone of his fears
He claimed to be a Christian
With fierce certainty
Believed for sure
He'd be saved
Through Christianity
Made me read the Bible
Wanted me to see
Dragged me into his home
To pray over me
Lost days and forgotten years
Washed away by tears
Spoke just ten words
And I Knew him well
And everyone of his fears
His religion turned to superstition
And he thought he understood
All the wrong there is In this world to understand
And all there is that's good"


  Lyrics by James Damiano

 

The following link is an article about Joni Mitchell labeling Bob Dylan as a plagiarist 

 

"Eleven Years" It is published knowledge that it is judicially uncontested by Bob Dylan and or Bob Dylan's law firms, all five,  that Bob Dylan and people in Bob Dylan's entourage have solicited James Damiano's songs lyrics and music for over ten years and ten months.

 

Obviously Bob Dylan has no respect for the constitution of the United States. For the last twenty two years (19) as of March 15, 1996 Bob Dylan has utilized a "Gag Order" against James Damiano which designate all discovery materials which incriminate and implicate Bob Dylan in his plagiarisms against James Damiano.

He has illegally done everything possible he could do to cover up this site including installing server blocks to hide the link.

He has not filed a counter suit nor has he produced an affadavid of denial.

Dylan knows the preponderance of the evidence in this law suit could never withstand the scrutiny of the court. It is no different than Dylan publicly admitting "I stole James Damiano's songs"  If you as a citizen believe that this is the quality of justice that you deserve then do not send this website to a friend but if you believe you deserve a better quality of justice then send this link to a friend. Someday you will wish you had.  

 

James Damiano

 

 

 

 

Bob Dylan's "Gag Order" on James Damiano has been in effect for twenty two years As intelligent as Dylan is suppose to be, could it be that he doesn't realize that by utilizing the "Gag" order against Damiano he is angering his fans by preventing them from reviewing the true facts of the case?  The letter below was sent to James Damiano on March 15th 2015 by Bob Dylan and signed by Bob Dylan's lead attorney Orin Snyder. This letter proves to the world that Bob Dylan condones communistic practices and beliefs. Please keep in mind that Bob Dylan was awarded the Presidential Medal of Freedom Award by President Obama while utilizing a "Gag Order" on James Damiano that designated all discovery materials including videotaped depositions that incriminated Dylan.  

 

 

 

 

 

 

Anyone reading the following excerpt will understand that Bob Dylan has lost this lawsuit and that Judge Simandle's decision regarding this suit is one hundred percent inconsistent with the evidence in this case. "PLAIN AND SIMPLE"
FRAUD UPON THE COURT RE:
JAMES DAMIANO Vs. BOB DYLAN PLAGIARISM / COPYRIGHT INFRINGEMENT RULE 56 (c) FRCP FEDERAL RULES OF CIVIL PROCEDURE Rule 56(c) of the federal rules of civil procedure states as 
folows: 56 aSummary Judgment (a) Motion for Summary Judgment or Partial Summary Judgment. A party may move for summary judgment, identifying each claim or defense — or the part of each claim or defense — on which summary judgment is sought.
The court shall grant summary judgment if the movant shows that there is no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law.
The court should state on the record the reasons for granting or denying the motion.
FRAUD UPON THE COURT RE: JAMES DAMIANO Vs. BOB DYLAN PLAGIARISIM / COPYRIGHT INFRINGEMENT
Defendants have been aware of James Damiano's public internet statements made against Bob Dylan for over eighteen years years and have downloaded this website and produced it to Judge Simandle of the United States. Federal Court on three different occasions. That information has been entered upon the record of the court by Bob Dylan's Attorney's Orin Snyder and Steven D. Johnson after they downloaded the website and produced it to Judge Simandle.
In other words Dylan's attorneys downloaded the crimes they committed and produced it to Judge Simandle. Even though Dylan's attorneys made the fatal mistake of submitting the evidence which severely implicated Dylan to Judge Simandle, Judge Simandle still disregarded eleven years of material facts regarding Bob Dylan's solicitation of James Damiano's songs and has granted summary judgment dismissing all counts of this lawsuit to Defendant Bob Dylan in violation of Fed. R. Civ. P. 56(c) even after writing in his decision that "A court may grant summary judgment only when the materials of record 'show that there is no genuine issue as to any material fact' "Fed. R. Civ. P. 56(c)." [Emphasis added] "no genuine issue as to any material fact."
Judge Simandle disregarded Thirty Five hours of video taped depositions which implicate Bob Dylan, blatant admissions of guilt by defendants, eleven years of documents between James Damiano and CBS Records and Dylan's organization and also expert testimony from a Harvard musicologist. Judge Simandle's behavior executed a "fraud upon the court" and diminishing the integrity of the United States Judicial System. [Emphasis added] "no genuine issue as to any material fact."
Bob Dylan's lead attorney Orin Snyder of Gibson Dunn & Crutcher has committed a massive amount of fraud upon the court along with L. Peter Parcher of Mannatt, Steven Hayes of Hanly Concoy and Steven D. Johnson of Gibbons.
FRAUD UPON THE COURT Judge Simandle disregarded Thirty Five hours of video taped depositions which implicate Dylan, Blatant admissions of guilt by defendants, eleven years of documented documents between James Damiano and CBS records and Dylan diminishing the integrity of the United States Judicial System.
A judge is an officer of the court, as well as are all attorneys. A state judge is a state judicial officer, paid by the State to act impartially and lawfully. A federal judge is a federal judicial officer, paid by the federal government to act impartially and lawfully. State and federal attorneys fall into the same general category and must meet the same requirements.
A judge is not the court. People v. Zajic, 88 Ill.App.3d 477, 410 N.E.2d 626 (1980). Whenever any officer of the court commits fraud during a proceeding in the court, he/she is engaged in "fraud upon the court". In Bulloch v. United States, 763 F.2d 1115, 1121 (10th Cir. 1985), the court stated "Fraud upon the court is fraud which is directed to the judicial machinery itself and is not fraud between the parties or fraudulent documents, false statements or perjury. ... It is where the court or a member is corrupted or influenced or influence is attempted or where the judge has not performed his judicial function --- thus where the impartial functions of the court have been directly corrupted."
"Fraud upon the court" has been defined by the 7th Circuit Court of Appeals to "embrace that species of fraud which does, or attempts to, defile the court itself, or is a fraud perpetrated by officers of the court so that the judicial machinery can not perform in the usual manner its impartial task of adjudging cases that are presented for adjudication." Kenner v. C.I.R., 387 F.3d 689 (1968); 7 Moore's Federal Practice, 2d ed., p. 512, ¶ 60.23. The 7th Circuit further stated "a decision produced by fraud upon the court is not in essence a decision at all, and never becomes final." "Fraud upon the court" makes void the orders and judgments of that court. It is also clear and well-settled Illinois law that any attempt to commit "fraud upon the court" vitiates the entire proceeding. The People of the State of Illinois v. Fred E. Sterling, 357 Ill. 354; 192 N.E. 229 (1934) ("The maxim that fraud vitiates every transaction into which it enters applies to judgments as well as to contracts and other transactions."); Allen F. Moore v. Stanley F. Sievers, 336 Ill. 316; 168 N.E. 259 (1929) ("The maxim that fraud vitiates every transaction into which it enters ..."); In re Village of Willowbrook, 37 Ill.App.2d 393 (1962) ("It is axiomatic that fraud vitiates everything."); Dunham v. Dunham, 57 Ill.App. 475 (1894), affirmed 162 Ill. 589 (1896); Skelly Oil Co. v. Universal Oil Products Co., 338 Ill.App. 79, 86 N.E.2d 875, 883-4 (1949); Thomas Stasel v. The American Home Security Corporation, 362 Ill. 350; 199 N.E. 798 (1935). Under Illinois and Federal law, when any officer of the court has committed "fraud upon the court", the orders and judgment of that court are void, of no legal force or effect. Federal law requires the automatic disqualification of a Federal judge under certain circumstances. In 1994, the U.S. Supreme Court held that "Disqualification is required if an objective observer would entertain reasonable questions about the judge's impartiality.
If a judge's attitude or state of mind leads a detached observer to conclude that a fair and impartial hearing is unlikely, the judge must be disqualified." [Emphasis added]. Liteky v. U.S., 114 S.Ct. 1147, 1162 (1994). Courts have repeatedly held that positive proof of the partiality of a judge is not a requirement, only the appearance of partiality. Liljeberg v. Health Services Acquisition Corp., 486 U.S. 847, 108 S.Ct. 2194 (1988) (what matters is not the reality of bias or prejudice but its appearance); United States v. Balistrieri, 779 F.2d 1191 (7th Cir. 1985) (Section 455(a) "is directed against the appearance of partiality, whether or not the judge is actually biased.") ("Section 455(a) of the Judicial Code, 28 U.S.C. §455(a), is not intended to protect litigants from actual bias in their judge but rather to promote public confidence in the impartiality of the judicial process.").
That Court also stated that Section 455(a) "requires a judge to recuse himself in any proceeding in which her impartiality might reasonably be questioned." Taylor v. O'Grady, 888 F.2d 1189 (7th Cir. 1989). In Pfizer Inc. v. Lord, 456 F.2d 532 (8th Cir. 1972), the Court stated that "It is important that the litigant not only actually receive justice, but that he believes that he has received justice." The Supreme Court has ruled and has reaffirmed the principle that "justice must satisfy the appearance of justice", Levine v. United States, 362 U.S. 610, 80 S.Ct. 1038 (1960), citing Offutt v. United States, 348 U.S. 11, 14, 75 S.Ct. 11, 13 (1954). A judge receiving a bribe from an interested party over which he is presiding, does not give the appearance of justice. "Recusal under Section 455 is self-executing; a party need not file affidavits in support of recusal and the judge is obligated to recuse herself sua sponte under the stated circumstances." Taylor v. O'Grady, 888 F.2d 1189 (7th Cir. 1989). Further, the judge has a legal duty to disqualify himself even if there is no motion asking for his disqualification. The Seventh Circuit Court of Appeals further stated that "We think that this language [455(a)] imposes a duty on the judge to act sua sponte, even if no motion or affidavit is filed." Balistrieri, at 1202. Judges do not have discretion not to disqualify themselves.
By law, they are bound to follow the law. Should a judge not disqualify himself as required by law, then the judge has given another example of his "appearance of partiality" which, possibly, further disqualifies the judge. Should another judge not accept the disqualification of the judge, then the second judge has evidenced an "appearance of partiality" and has possibly disqualified himself/herself. None of the orders issued by any judge who has been disqualified by law would appear to be valid. It would appear that they are void as a matter of law, and are of no legal force or effect. Should a judge not disqualify himself, then the judge is violation of the Due Process Clause of the U.S. Constitution. United States v. Sciuto, 521 F.2d 842, 845 (7th Cir. 1996) ("The right to a tribunal free from bias or prejudice is based, not on section 144, but on the Due Process Clause.").
Should a judge issue any order after he has been disqualified by law, and if the party has been denied of any of his / her property, then the judge may have been engaged in the Federal Crime of "interference with interstate commerce". The judge has acted in the judge's personal capacity and not in the judge's judicial capacity. It has been said that this judge, acting in this manner, has no more lawful authority than someone's next-door neighbor (provided that he is not a judge).
However some judges may not follow the law. If you were a non-represented litigant, and should the court not follow the law as to non-represented litigants, then the judge has expressed an "appearance of partiality" and, under the law, it would seem that he/she has disqualified him/herself. However, since not all judges keep up to date in the law, and since not all judges follow the law, it is possible that a judge may not know the ruling of the U.S. Supreme Court and the other courts on this subject. Notice that it states "disqualification is required" and that a judge "must be disqualified" under certain circumstances. The Supreme Court has also held that if a judge wars against the Constitution, or if he acts without jurisdiction, he has engaged in treason to the Constitution.
If a judge acts after he has been automatically disqualified by law, then he is acting without jurisdiction, and that suggest that he is then engaging in criminal acts of treason, and may be engaged in extortion and the interference with interstate commerce. Courts have repeatedly ruled that judges have no immunity for their criminal acts. Since both treason and the interference with interstate commerce are criminal acts, no judge has immunity to engage in such acts.

 

In the last 20 years, in the Second and Ninth Circuits and the lower courts within those circuits, 48 copyright infringement cases against studios or networks were litigated to final judgment. In all 48 cases, the victors were the studio and network defendants. Most of the cases were determined by a grant of summary judgment.

 

 

 

 

 

 

The Producers Club 358 W 44th St, New York, NY 10036 (212) 315-4743

 This is the true story that your

Mainstream Media has hidden from you

Eleven Years


The Producers Club 

358 W 44th St, New York, NY 10036

(212) 315-4743

exhuberant_justice@yahoo.com

 

 

 

 

 

 

 

Eleven Years Trailer 1

 

 

It is uncontested by Bob Dylan and or Bob Dylan's law firm Manatt, Phelps & Phillips, Parcher Hayes & Snyder, Gibson Dunn & Crutcher, Hecker Brown & Sherry including Mary Jo White, Steven hayes, Jonathan Liebman, and Sony House counsel that Bob Dylan and people in Bob Dylan's entourage have solicited James Damiano's songs and music for over ten years.

Few artists can lay claim to the controversy that has surrounded the career of songwriter James Damiano. Twenty-two years ago James Damiano began an odyssey that led him into a legal maelstrom with Bob Dylan that, to this day, fascinates the greatest of intellectual minds.

As the curtain rises on the stage of deceit we learn that CBS used songs and lyrics for international recording artist, Bob Dylan. Bob Dylan's name is credited to the songs. One of those songs is nominated for a Grammy as best rock song of the year. Ironically the title of that song is Dignity. 

Since auditioning for the legendary CBS Record producer John Hammond, Sr., who influenced the careers of music industry icons Billy Holiday, Bob Dylan, Pete Seger, Bruce Springsteen and Stevie Ray Vaughan, James has engaged in a multimillion dollar copyright infringement law-suit with Bob Dylan.


Eleven Years Trailer 2

 

 


 In the middle of midnight

She's coming around

I'm dressed in my best threads

Gonna take on this town

In the middle of midnight

I've got what it takes

To find out what the truth is

Make fools of all the fakes

In the middle of midnight

Her clothes caught my eye

I'd be willing to bet

I'd be willing to lie

In the middle of midnight

Could have sworn I heard her cry

In the middle of midnight

This ain't no one last try  

jdamiano copyright 1988


 

 

 

 Movie Trailer To Bob Dylan's Stealing of James Damiano's Songs

Must See

 

 

 

 

 

 

Hard to see the shadows

In the darkness of the night

Hard to see the truth

In the blindness of the light

Never thought i’d see the day

Where two wrongs

Made a right

Hard to see the shadows

In the

Darkness

Of the night

 

 

 

Email

Exhuberant_Justice@yahoo.com

 

 

Bob Dylan Admits Plagiarizing His Greatest Hits L.A Times


“Well you have to understand that I’m not a melodist. My songs are either based on old Protestant hymns or Carter Family songs.

 What happens is, I’ll take a song and simply start playing it in my head. That’s the way I meditate”. “I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records.

'‘The Times They Are A-Changing’ is probably from an old Scottish folk Song.”….”I’ll be playing Bob Nolan’s ‘Tumbling Tumbleweeds,’ for instance, in my head constantly — while I’m driving a car or talking to a person or sitting around or whatever.

People will think they are talking to me and I’m talking back, but I’m not. I’m listening to the song in my head. At a certain point, some of the words will change and I’ll start writing a song.”…….Bob Dylan

 


  Racism

A diversion of Reality

That the worst segregation

In the world today

Is not between Yellow Red Black or White men

Muslims Jews or Christians

But between

The Rich and the poor

damiano copyright 1992

 

 

The Artist Never Stops Seeking For What He Knows He'll Never Find

 


  Another mountain to climb Another  bridge to cross Midnight sky so endless As the message comes across One more word to speak Another story to tell Black as the darkest unknown And yet Still they wish you well I studied their religion Which made some sense to me But I wasn't concerned with How much faith they had As much as to what degree They believed Some of them prayed Standing up Some knelt to their knees Like I said I wasn't concerned with How much faith they had As much as to what degree They believed So slight a hint So slight a clue Yet there could only be one Answer That must be seemingly True


 

 

 

 

 

 

 

 

 

 

 

 

 Coming Soon

For release date email us at

Virtuefilms@mail.com



I James Damiano posses documents signed by Orin Snyder that conclusively verify the fact that he has orchestrated the falsification of evidence in my lawsuit against Bob Dylan

 

Big News

On Bob Dylan's Lawyer'

Orin Snyder's Fraud Upon The Courts

 

 

 

 

 

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